Where in the world are black women in today’s entertainment? There is a significant slump in quality images of African-American women in television and film.
It wasn’t always like this. In 1968, Diahann Carroll starred in the series “Julia”, which one of the first of it’s’ kind. Dubbed as being the first series to star a black woman in a non-stereotypical role, “Julia” produced 86 episodes and Carroll earned a golden globe for her performance.
In the 70s, Pan Grier played a character that went against the typical African American female type. In 1974, Grier starred as the character in Foxy Brown, a sexy yet independent black woman who was capable of running down criminals and saving the day.
The 1980s and 90s saw the birth of the black upper-middle class in entertainment. In The Cosby Show, Claire Huxtable was the epitome of a strong, dignified, and intelligent black woman, as well as great mother that rarely was seen on television before and has been somewhat absent since.
Though Fresh Prince of Bel-Aire was a fun, silly sitcom, the show had depictions of black females that were far from typical of Hollywood entertainment. Whether it was Vivian Banks’ strength and discipline in the first couple of seasons or Hillary Banks’ ditzy, spoiled rich girl routine (which is normally depicted as an upper-class white female), America was witnessing a more diverse spectrum of what the African American female is in this country.
But something has happened in Hollywood. A regression has occurred. Black women have been marginalized or altogether phased out in popular culture.
“I don’t think that we have been completely margalized, but I do think we have a bad image. I model in videos, but I don’t think that I am a part of the problem. I would more so blame producers and directors for this,” said Bre Long, a video model (or extra).
Maybe the problem is the image of the black woman herself in mainstream culture. Though our society has become overly-sexualized in general, it seems that the depictions of black women are such that they are incapable of being seen as a girlfriend, wife, FBI agent or hero, but instead as overtly sexual eye-candy.
Though it may be difficult to name 10 significant black female characters in the scripted television landscape, one would certainly have no problem rattling off names that reside in “reality” television. Black women are plentiful in music videos as they wear next to nothing and entertain male viewers during a four minute musical peep show. Black women are also very much in demand in reality television. VH-1, which is home to shows such as The Favor of Love, I Love New York, and Charm School. All of them showcase black women in a raunchy, profane, and explicit nature. The problem, it would seem, is that Hollywood is simply choosing to sell certain images of black women to audiences around the globe.
“I think that people take entertainment too serious. I don’t think anyone really sees these reality stars and think that they are a real depiction of how black women act in real life,” Taj’hiya Harper said, a 25-year-old mixed (black and white) college student. “These people are actors! If they do, who cares? That is their own ignorant fault.”
Television and film are entertainment, after all, so who cares how anyone is portrayed as along as one is enjoying what they are watching? The problem is that entertainment can create stereotypes. There is no denying that. There are some people who are grow up in segregated areas of the country, or world, where they are not exposed to people who look different from them. People get their information and opinions from television, whether it’s the news, a comedy show, or a reality program. If what’s being pounded into people’s consciousness is that black women are loud, raunchy, sexually-explicit, ghettoized objects of affection, then opinions will be formed around those images that one sees on television.
The truth is that depictions of people do matter. In The Cosby Show, the show was historic in nature because it showed America that blacks can be successful, as well as cultured, intelligent, family oriented. Past sitcoms often dealt with the “struggling black family.” The black family in programs like Good Times was depicted as ones that were doing their best just to get by. In shows such as Different Strokes and Webster, black children were being adopted by white families.
While interracial family life can certainly be celebrated, the subtle implication of these programs was that black families were so broken, poor, and unfit to care for their offspring that upper-middle class white families had to save these black children from their downward spiral. If one thinks that The Cosby Show wasn’t monumentally important in the way African Americans were viewed in society, you are fooling yourself.
As it stands, black women appear much in need of a similar breakthrough type of show or film. A piece of entertainment that is much more than entertainment. A vehicle that carries the image of the black woman out of the small prism of just music videos and trashy reality television and into a realm that’s positive, as well as more realistic. Only then can change occur. Only then can respect and appreciation for African American females in entertainment evolve.
Sources: Taj’hiya Harper- 734.301.8227 (college student) / Bre Long (video model)- Strawberry558@aol.com
